The contrast with the existing construction even greater, as the new building is frantically aspiring to emulate the grandeur of the existing building.Effective gutter systems are essential. This can be effected by discoloration, covering it in photos and texts, installing luminescent elements, or fitting panels and screens that change position giving it a continuously changing aspect. Change of a surface is visible not only in the effects of weathering a trend today is to have the facade “communicate” with its surroundings. So the façade-aging process may be deliberately initiated to generate a particular effect, making the building change over time either subtly or dramatically. After all, a building is a product exposed to climate extremes, and it takes a lot of money to keep its facades clean. In architecture this aspect can be deliberately applied. An object’s character is realized by making the ravages of time visible. The appeal of aging lies in making it visible and causing a connection with the observer, displaying its personality and character. “It had six tiny leaves, but it was alive.” In her eyes this was the most beautiful tree she had ever seen. She is awed about how in heaven’s name this tree managed to take root in this crevasse. Short, small and bent, inaccessibly lonely on this enormous mountain. She hates these images, and thinks of a tree she saw on holiday standing in a rock crevasse. She thumbs through a “book of trees”, one of those books containing color photos showing trees being gloriously tall and mature, perfectly balanced and glossily brilliant. In the book Hokwerda’s Child by Oek de Jong the main character at some point describes a tree.

All changes in a surface – a scratch, a dent, discoloration, minute cracks – give the object its specific character: “it lacks patina” in the art world means “it lacks character”.

As a patine surface provides a rich and attractive appeal, people also add the patina coat artificially. Materials and objects change appearance generally due to accumulation of grime and grease, or chemical changes on their surface. Only plastic, the youngest materials group, should not age at least not be seen to. This may be distressed wood, stone, metal, glass, ceramics, and even concrete. The term “patine” is applied indiscriminately, whereby it generally refers to obtaining the “distressed look”. “The Patina oxidation coat on bronze and copper objects signifying antiquity a complex of features distinguishing genuine antique objects from fake.” This definition is definitely not being followed by all. However, today you are a different woman than you were at age 20. He told one of his senior woman employee celebrating her birthday: “Today you are a fine 60-year old woman. Israel Sack, renowned antiques dealer in New York in the first half of the 20th Century, described patina in a metaphor. The assignment in the “Growing Old Beautifully” project for architecture students of the Technische Universiteit Delft (Delft Institute of Technology) was to map aging processes and use the results in a project. This can be either an adverse factor or something to work with. Patina however is also intricately associated with architecture. This is how the object acquires its specific character. Or with a coating on an object that has been in the ground for a long time. Patina we associate mainly with natural weathering of bronze sculptures.

Patina definition in art